I think it is very interesting that Vanda switches roles
from Dunayev to Kushemski at an opportune time in order to maintain her power
of Thomas. First, it seems that Thomas
has gained the power as he resumes the role at Dunayev and continues to treat
Kushemski as a slave. But, as we read on, it is clear that Kushemski eventually
gains control over Dunayev, therefore giving Vanda control throughout. I think it is interesting that first a woman
in the play written by Thomas has power until the end, but in the actual play,
the woman seems to have power the entire time.
Even though Thomas is the director, he takes orders from the
actress. I can’t quite articulate what
this implies. What do you think I sthe
bigger meaning between the shifts between man and woman roles as well as the subsequent
power shifts?
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