Bailey's weekly post, posted by Dr. Renzi on her behalf:
Aestheticism
in Velvet Goldmine and “The Importance of Being Earnest”
As
we have discussed in multiple class meetings, aestheticism, or the devotion to
beauty, is an important principle in the film Velvet Goldmine and the
play “The Importance of Being Earnest.” This obsession with beauty resonates in
scene II of “Earnest” when Algernon is discussing his manner of eating muffins.
“Well, I can’t eat muffins in an agitated manner. The butter would probably get
on my cuffs. One should always muffins quite calmly. It is the only way to eat
muffins” (811-813). This scene places an emphasis on the aesthetic because it
focuses on the outer appearance while
eating muffins. This scene also implies the showiness in the act of eating
muffins. As Algernon states, there is only one way one should eat muffins.
Another
example of aesthetics in “Earnest” is found in scene I, when Algernon states
that “All women become like their mothers. That is their tragedy. No man does.
That’s his” (605-606). When Jack questions if this logic is clever, Algernon
responds that “It is perfectly phrased!” (608) This interaction demonstrates
how the aesthetics of a statement (i.e., how the statement looks) is held at a
higher level of importance than the content.
In Velvet
Goldmine, aestheticism can be seen in many aspects of the glam rock
lifestyle. Glam rock is all about the showmanship of costumes and makeup. After
he meets Curt Wilde, Brian Slade’s performances are very costume-driven, and he
wears heavy makeup and extravagant costumes. Another aesthetic vs. content
example can be seen in the beginning of the film, when a reporter is
interviewing Curt about bisexuality. Curt replies that the youth at the time
didn’t fully understand the concept of bisexuality; they performed it, but they
didn’t fully accept it. They were mostly concerned with the outward appearance
of the act of bisexuality, instead of what it actually means to be bisexual.
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